Movie Review: Us

Jordan Peele’s descent into horror was a smash hit with Get Out, a thought-provoking thrill ride and now he has another mind-bending flick that is more haunting, equally thoughtful, and more significant flaws in its direction and storytelling. Us may not reach the same heights as Peele’s first entry into the genre but makes an impact with its unique idea.

Family vacation went horribly wrong, familiar with a brilliant twist. The Wilsons go to Santa Cruz for a getaway, but coincidences occur to bring back some past memories for the mother of the family, Adelaide (Lupita Nyong’o). After one night of seeing a family in their driveway, it is revealed her suspicions are correct. This American clan has doppelgangers called The Tethered, who have a bloodlust and now the Wilsons must survive and discover the horrific truth behind their evil other halves.

While Us is a far more adrenaline pumping film than Get Out with its faster pace and more focus on murder throughout, the first 20 plus minutes takes its time to develop the Wilsons. Their typical American family dynamic may feel stereotypical, but is executed flawlessly with Gabe (Winston Duke) as the goofy dad, the protective mother, Zora (Shahadi Wright Joseph) as the teenage daughter who isolates herself to be on her phone, and Jason (Evan Alex) as the innocent, precious little boy. Their chemistry feels real, and everyone stands out with their unique personality. If this were just a family movie, I would not mind.

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The cast knocks it out with their performances, especially when having to turn humorous family banter into the chemistry that depends on survival. Nyong’o steals every scene with her moving performance of a woman who suffered something traumatic in her past. While she is fantastic, the children and Duke keep up the pace with her by delivering contrasting emotions that work well together as a unit.

The turn of tone from a family vacation that is full of fun and laughter turning into a bloodbath works, especially for the Wilsons. They adapt in a relatively believable way, at least when events happen to them. Some reactions feel less real when they witness things happen to others, but it only occurs a few times that threw me off of their emotions.

Writing an original idea may seem impossible, but Peele crafting the Tethered and their backstory is as genius as his themes that make this more than just your standard movie. I had to try to catch up with the film as its narrative moves on while trying to pick up on messages and tiny details. My brain might be exhausted, but it is happy to have had the exercise.

Similar to Get Out, the melding of various emotions from humorous beats and heart pumping intensity comes together, but differently. I felt Peele’s previous film blended together smoothly, while here there are considerable shifts with each act turning into a different feel. What works well is the transition allows for a way to say, “Hey, this is the next evolution of these characters and their journey.” Having everything come together as unison would make for an effortless development rather than sharp turns that jerked me into a new tone.

Peele proves himself yet again as a master of detail with plenty of foreshadowing, world building designs, and thoughtful additions that make it worth a second or third watch to catch everything on the big screen. The cinematography and lighting are well thought out with no careless mistakes. The passion of filmmaking gushes out, making it apparent that Peele got to tell the story he wanted to deliver.

Three months in and I think I found the best score of the year. Eerie orchestral work along with epic, yet haunting choirs elevates both the themes and emotions. The grand feeling from the music also gives me a sense for Peele’s progression in the horror genre as a director, producer, and writer.

Horror lives on with another success that despite its flaws, gives a spine-tingling experience. Unlike its predecessor, Us has its predictable moments along with less impactful twists that at times felt thrown in. A powerful message gets delivered about society and race, but less creative than Get Out‘s rare take on racism. While it may fall short in some areas, fans of the genre should be as satisfied as I am with this brutal vacation.

Score: 8/10

Images via Universal Pictures

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Movie Review: Captain Marvel

The most powerful hero has arrived in Marvel’s giant cosmos of superpowered characters. Captain Marvel (Brie Larson) glows, blasts, and soars as one of the most loveable and endearing personality to come through the already strong roster. While her debut is strong, some flaws make the film taken down a tier compared to its predecessors, but manages to have everything that makes a Marvel movie irresistible.

Hala, the home planet to the Kree, an advanced population that is in the middle of a war against the Skrulls, an alien species that has the power to transform into anyone. After a botched mission, our hero finds herself on Earth in which she meets a S.H.I.E.L.D. agent named Nick Fury (Samuel L. Jackson). She convinces him to get on her side to put a stop to the Skrulls, meanwhile discovery a lot about her past. An origin story that manages to improve upon the formula of Marvel’s past debut narratives while still holding onto the weak villain issue that so many have discussed over these past 11 years.

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Larson and Jackson not only are excellent on their own, but their chemistry is equally wonderful. Due to the two stars working together in the past in films like Kong: Skull Island, it is not surprising that they have developed a relationship that can translate onto the big screen to make for a more believable and enjoyable experience.

Plenty of new characters were introduced along with a couple of old ones fans will recognize. Everyone stood fairly strong except for the underdeveloped Yon-Rogg (Jude Law) who had a strong performance with not a lot to work on. The other main new introduction was Talos (Ben Mendelsohn), a high ranking leader for the Skrull, who had a far stronger presence than Law.

Out of every standalone flick that has been unleashed in the MCU, Captain Marvel has the most expansive world-building we have seen so far. While more significant films like the three Avengers bring more the evergrowing universe, this narrower story ties together important arcs and small details. Plenty of moments put a giant smile across my face seeing characters from the past and other references from past movies being further developed from a time that was not previously explored.

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Blending drama, action, and humor did not work as well compared to previous entries. Most of the action was entertaining, but underwhelming until the final act, which was spectacular. Jackson took all of the laughs with a few lighthearted moments with Larson, but nothing that had a big “laugh out loud” moment that stood out. The serious beats landed perfectly and melded well with all of the alien gunfights and playful banter.

The visual aesthetic along with the music brought the 90’s to life creating a more unique feel throughout the film, even the subtle details like the clothing and cars driving around the city. The crew managed to make this prequel not feel like a gimmick, but more of an individual amongst the many movies in the franchise.

Going back in time when Nick Fury had two eyes, hair, and that youthful energy is easy for the talented Samuel L. Jackson, but making him look young can be a big miss since so many movies tend to make the actor look odd rather than like their younger self. The de-aging technology worked flawlessly bringing Jackson to his exact look back in the day.

The sci-fi elements had their glowing effects with some breathtaking moments with space battles and Hala. Sadly, not much was explored on Hala, but what little was seen impressed me further on how Marvel can develop unique appearances for planets to make them feel special and alive. While some of the suits in the MCU may not be the most appealing, our photon blasting protagonist’s suit rivals the best costumes of her soon to be crime-fighting pals in the Avengers. The special effects mostly work, but Marvel continues to show some inconsistencies here and there in some scenes.

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Steps forward were taken that takes Captain Marvel to new heights, but Marvel also proves they are much better when making bigger stories that an origin film cannot accomplish. An uncompelling villain along with some rough pacing in the first act leads this new adventure into the mid-tier section of the MCU rather than being next to the likes of the much better standalone films we have seen from Spider-Man and Captain America. Now that she has been included in the universe, the future looks much better for Larson as her character gets further development with future films.

Score: 8/10

Images via Marvel Studios

 

 

 

 

 

 

Movie Review: Spider-Man: Into the Spider-Verse

Something to admit before the review, I have not seen a family movie, let alone an animated one, in close to 10 years, seriously, nothing below PG-13. Mostly because of my more mature taste, but also because nothing has grabbed my attention until I saw the trailer for Spider-Man: Into the Spider-Verse. I am too much of a fan to pass this one up, despite Sony’s past failures with the wall-crawler, and I am glad I did not pass up one of the most stunning and impactful movies of the year.

Miles Morales (Shameik Moore) goes around his days like any other teenager, dealing with parents and school while wanting to figure out who he wants to become. After getting infected from the iconic spider to gain his powers then witnessing Spider-Man (Chris Pine) fight off a few baddies, he lands himself into the superhero lifestyle, whether he likes it or not. Kingpin’s (Liev Schreiber) diabolical plan goes wrong, creating a hole in several dimensions, bringing in multiple Spider-People/Animal to a world that they do not belong. The Spider-People/Animal comes together for an exciting adventure with Miles to get everyone home and stop a group of iconic villains from destroying New York.

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Spider-Man’s spidey senses are tingling (Image via Sony Pictures Entertainment)

The heart of the film is the wide variety of characters from the most obscure heroes and villains to classics that anyone from mainstream audiences to comic books fiends will recognize. Everyone good and evil has their motivations, flaws, and so much more to bring them to life. Everyone from Spider-Gwen (Hailee Steinfeld) to Kingpin have glowing personalities that brighten the most comedic, heroic, and dramatic beats.

The pacing flows together weaving in action, comedy, and emotional moments in an organic manner. While some of the jokes fall flat, plenty hit hard for a good laugh. The story keeps on moving while throwing different emotions for a beautiful contrast of tone. I laughed, I cried (more than I thought), and I was in awe by the many shocking surprises.

Usually, if a film is beautiful, I appreciate and even adore what I see, but it wears off after two hours. Spider-Verse delivers one of the most stunning and unique aesthetics, blending a classic comic book style with a vibrant color pallet and uniquely rendered characters to make everyone’s appearance as distinctive as their personalities. Up until the last second of the after-credit scene, I could not resist having my mind blown by the effects. The animation team along with the directors Bob Persichetti, Peter Ramsay, and Rodney Rothman deserve the highest award possible for this accomplishment, I am looking at you Academy Awards.

Spider-Verse delivers a fun movie for the whole family while hitting tear-jerking moments and a highly resonating message. Something about the movement took me a long time to get over, the animation for characters threw me off when people were moving, but after a while, I got to fully embrace the visual style without that distraction. Casual and hardcore fans, I am telling you this is the ultimate Spidey story that blends the most mainstream and odd stories from Spider-Man’s rich comic book history. One of the greatest Spider-Man movies that rival the brilliant Homecoming and easily makes for one of the most beautiful films ever made.

Score: 9/10

Header image via Sony Pictures Entertainment

Movie Review: Halloween

The dumpster fire that is known as the Halloween franchise is back in an attempt to extinguish this disaster that has built up for decades. Director David Gordon Green (Vice Principles and Pineapple Express) teams up to write alongside Danny McBride (Vice Principles, Pineapple Express, and This Is the End) and Jeff Fradley (Vice Principles) the definitive sequel to the classic slasher flick. That is right, no more brother and sister Laurie and Michael or whatever Season of the Witch were meant to be. Despite some bumps in the road, Green, McBride, and Fradley manage to deliver the sequel that fans deserve.

Since the horrific murders from 1978, forty years later, Michael Myers (Nick Castle and James Jude Courtney) manages an impossible escape (seriously, it does not make much sense) during a transfer to a new facility. Laurie Strode (Jamie Lee Curtis) has never been able to get past the terrifying events. Due to her trauma, her life has gone downhill except for her preparation for this moment, to finally kill Myers. She must protect her family, who have exiled her due to her mental health, and stop the masked killer.

Seeing Curtis reprise her iconic role is a dream come true for fans, but she is not alone in great characters. While her performance is tremendous. Her portrayal of a woman forever damaged by what has happened to her and her friends is believable in every way. Allyson (Andi Matichak) is Laurie’s granddaughter, a teenager living the best she can with a wacky family that turns for the worse every year during the spooky holiday. Her father Ray (Toby Huss) is one of my personal favorites. The goofy dad who annoys his daughter, but when it comes down to it, must try to protect his family. Some of the funniest lines (yeah, there is humor in this gory movie) come from Ray, and they land every time. Her boyfriend and friends Cameron (Dylon Arnold), Dave (Miles Robbins), Oscar (Drew Scheid), and Vicky (Virginia Gardner) have fantastic chemistry that makes these high school buddies feel real. They manage to capture the goofiness of a group of friends in high school and the dumb teenage drama that can follow.

Not everyone is in a good light in the film. Karen (Judy Greer) is that naive, annoying character who drove me insane with every dumb word out of her mouth. She is the daughter of Laurie and the mother and wife of Ray and Allyson. I feel sorry for these people to have this woman in their life. The typical doctor who is obsessed with his patient Michael Myers, Dr. Sartain (Haluk Bilginer) might be even worse, but I will let that surprise you by how annoying his story becomes. Then there are the two dumb journalists who suck at their job, Dana (Rhian Rees) and her partner Aaron (Jeffery Hall). Somehow we got another movie with bad, stupid journalists just like Eddie Brock from Venom. We don’t need this stereotype, why not make smarter characters?

Besides some likable characters, the best aspect of Halloween is the skin crawling intensity. The pacing through the film is well done, a nice jog that moves the story along. Then the brakes are pressed down to a slow drive that builds up the tension. The moments of never feeling safe when you know Myers is around, but have no idea where will make anyone full of anxiety. The Shape lurking in the background that you can spot as he walks over to his next victim is superbly done. While not a scary movie, it is nerve-racking as anything imaginable.

Since people experienced in nothing but comedy have written and directed the film, there is plenty of humor throughout the first two acts. Much of it does not take away from the intensity, surprisingly most of the humor hits the right notes and the correct time. Just wait til you see Julian (Jibrail Nantambu) then you know what I mean by excellent levity in such an anxiety-inducing movie.

While the first two acts are great, the bridge into the third act has some trouble. A dumb move by a character who shall not be named leads the audience into the final moments of the film, and it is just annoying. Why do horror movies lose their footing at some point in the plot every time? The reason, a lack of creativity in the writing process to end this story. While the overall end is pretty strong, the road to it is rough.

The film is made by not just filmmakers, but by people who are fans of the franchise and want to see Michael Myers back to his former glory. With that said, they manage to throw in many references and nods to the original. For the most part, I love this aspect. A nod and apology to longtime fans for how much the series has gone down to hell. With the original music, a similar intro as the first, and plenty of recreated scenes will put a smile on fans. However, sometimes it felt a bit overwhelming of already used ideas. Rather than an homage, we get a fan-made film that acts childish at parts instead of treating being an adult.

The soundtrack is fantastic with a mix of the classic tune and a brand new twist. The new track takes the iconic 1978 and gives it a modern twist. Giving the people who may have never seen many older horror movies a taste of what the music used to sound like while giving people something with a modernized feel.

For a slasher flick with a satisfying body count, the violence, for the most part, was lackluster. Some death scenes were brutal and made it worth the wait to see Myers slaughter his way through the town. Sadly, many of the deaths were shown off screen or given minimal brutality. The aftermath would be shown more often than the actual murder, appeasing my want for The Shape to kill his way through dozens of people, but left me wanting more in violence.

Halloween is a fun, exciting sequel that fixes the issues in the series while delivering film fans would want. It stumbles in many areas, especially with some characters and the final twenty minutes. In the end, Green directed an enjoyable horror movie that has some brilliantly creepy moments despite some failures along the way.

Score: 7/10

Image via Universal Studios

 

Movie Review: A Star Is Born

Hollywood at it again with another remake, but the thing is, originality does not mean anything when it comes to quality. Bradley Cooper does it all in his first directed movie. The man acts, sings while playing guitar, and directs on top of everything. Just when I thought he is one of the most talented people on the planet, he gets even better. Plus he has Lady Gaga, if you have not stopped reading to watch this movie then what are you doing? Get to the theater and watch this award-worthy film.

Jackson Maine (Bradley Cooper) is on top of the music world as a huge star. A star with addictions, unsettled mental health problems, and of course, hearing issues. He meets a talented young woman, Ally (Lada Gaga) and he believes in her right when he hears that voice. Yeah, it is that type of movie, so you think. They fall into a relationship, and we see their dynamic as the two grow as a couple and as musicians. A bleak look at the music industry and what it can do to two young lovers.

If you want to be a musician then maybe watch this movie and reconsider your choices. Cooper and Eric Roth have written an austere perspective into the musician lifestyle, along with some of the positives that come with this career path. Not just that, but a believable and well-developed relationship between Ally and Jack is on display. I can’t remember seeing a love story told so well, at least it has been quite a few years to see something so realistically depicted.

Cooper and Gaga are phenomenal, of course. They have this fantastic chemistry that makes you feel every moment they are together. When the two lovebirds are singing, I could not stop myself from smiling. When the tone gets grim, my heart is pounding, and my eyes start to water. I truly cared for these characters, and I want the best for them so much. Cooper delivers his best performance to date, which says a lot because the man has done plenty of brilliant work in the past. He has this charm that grabs the audience with that smile and deep voice. He manages to have that inner pain to his character show at all times. When the sky is blue, and the birds are chirping, you still see the pain in his eyes. In a world full of excellent TV shows that showcase how well developed and three-dimensional characters have become puts movies to shame. Cooper proves that you can still bring characters to life in just two hours. Gaga has always been a great artist, but I have never seen her given the spotlight for her acting until now. As a character who stands alone, she is captivating. When she is with Cooper, they are both a force that will not let go of you with their performances.

The rest of the cast are brilliant and bring their own substance to this intoxicating story. Bobby (Sam Elliot) as Jack’s much older brother, yeah they have Sam Elliot playing his brother, his compelling all the way through. They have a history that is complicated and well fleshed out. I felt that tension and love. Lorenzo (Andrew Dice Clay) should have had more in the film, but he was just as complex of a father for Ally. Ramon (Anthony Ramos) plays a good friend of Ally but felt more like a stand-in character. Her manager, Rez (Rafi Gavron), felt a bit generic but is lifted by the solid performance delivered by Rafi.

Sometimes music in these types of movies gets a little too much. They manage to cut into the next scene right when things might drag on too long. Surprisingly, the music is for the most part good. Even when I did not like it, every song has a specific reason. Every detail, in general, is well thought out, especially when you see Ally and Jackson play music. I knew Gaga for her incredible talents in acting and singing, but who would have thought that Cooper is such a good musician? I never knew he could, and he keeps surprising me. First, he pops up in Marvel as Rocket Raccoon and here he is playing as a mainstream musician.

The cinematography captures every mood perfectly. The delivery of the concert scenes shows how much fun and impactful music can be. When the story gets darker, the camera work and lighting show that tone to the audience. Every detail is precise. One of my favorite shots of the year is towards the final act. The use of lighting and zooming in on a house with a red light covering the entrance made for such a gorgeous view while maintaining with the tone of the scene. Nothing gets put onto the screen without a lot of thought put into it.

As we draw closer to Oscar-worthy movie season, A Star Is Born will blow any movie away. Cooper manages to make his directorial debut into a masterpiece that would have anyone thinking some A-Class director who has been making films for decades created this beautifully heartbreaking movie. No, it is the Bradley Cooper we have all known from Guardians of the Galaxy, American Hustle, American Sniper, and The Hangover. The execution of his vision is full of care. While the film is a remake; he has made it his own to stand as an individual film that does not lean on its predecessors. With some slight pacing issues in the first twenty or so minutes, it is smooth sailing that does not feel too slow or too fast. The chemistry between him and Gaga alone is the best aspect of the film, while it still brings so much more than their characters. We get a real love story that is not caked in makeup from typical Hollywood movies.  A Star Is Born is something raw, beautiful, and intoxicating. If this film does not win a single Oscar, then it is time to shut the award showdown.

Score: 10/10

Image via Warner Bros.

 

Movie Review: Venom

My expectations could not be set any lower for Venom. With some bad trailers, my impressions of what I was seeing was not good. I managed to get to see Tom Hardy’s take on the iconic character last night, and I was surprised for good and bad reasons.

We see Eddie Brock (Tom Hardy) a journalist who tackles crooked powerful men and brings them down by shining light on their schemes. After trying to ask hard questions towards Carlton Drake (Riz Ahmed) his career and life go downhill in attempting to take down one of the most influential people in San Fransisco. After trying to get evidence on Drake’s company, the Life Foundation, he gets infected with one of the symbiotes captured by Life. Drake sends man after man to apprehend the creature, and Eddie Brock goes from journalist to the anti-hero Venom.

The pacing is so weird for the first 30 minutes or more. The first 10 to 20 is bizarrely too quick seeing the negative changes in Eddie’s life, but I had no time to see development in his character to care about him. Not until the end of the film I actually could care for him and his new friend. Then we get into a slow crawl of him getting drunk and being an absolute mess. Once he gets infected with Venom, then the film picks up to an entertaining ride.

The tone is all over the place. Elements of horror, superhero action flick, drama, comedy, and just about anything you can think of is thrown into the mix. The horror aspects would have worked if Sony decided to keep the R rating, and overall help the movie’s quality. While many of the creepy moments work, there was always something missing. The drama of what Eddie was going through was too quick but overall kept some powerful moments. The typical superhero and comic book features went well and felt like an actual Marvel movie despite many moments of inconsistency. The humor felt off. While there were two or three genuinely funny scenes, a lot of it felt confusing. I was unsure if they were trying to be serious in some scenes or just goofy.

The writing is just as inconsistent as the tone. Some lines are at a cringe level of terrible to handle that breaks my suspension of disbelief. Characters have lines that are sometimes painfully bad. Sometimes I question if it is the acting or merely lousy dialog that cannot be said properly. The acting was well done despite some painful dialog that had to be delivered. Tom Hardy carries the film on his back. While Eddie had some flaws as a character that was annoying, his relationship between Anne and Venom were the highlights in the story. Seeing his chemistry with these two allies made up for some somewhat problematic storytelling. The development of his relationship with Venom was beyond my expectations and was the best part of the movie. Riz Ahmed had quite the generic antagonist, but his performance made up for the lackluster character. Michelle Williams played Anne, Brock’s love interest, who was excellent despite lacking in much development of her character earlier in the film. The powers of the symbiotes felt unpredictable. At times how the symbiotes take over people or animals and how that creature reacts with its host felt wrong at times. Seeing people or animals take in the symbiote with no problem or some with deadly consequences. The film explains it rationally, but I could not buy some of what they were selling to me.

The action was not as much as I had hoped, but when we got some fighting or chases, it was worth the wait. One of my favorite car chase scenes in years is seen right here. I was surprised by how well the choreography was executed. The action would not pop up for a brief moment then back to slow storytelling, we got a good lengthy car chase along with plenty of other fight scenes across the film. The only problem with the action is Venom would eat people and have other brutal ways of killing people, but with the PG-13 rating, I felt cheated out of some good old fashion blood and guts. If we ever get an R rated cut, the original cut, then I will rewatch the movie in a heartbeat.

The quality of the visual effects was out of control. Practical effects looked fine, nothing extraordinary, but worked with the film. Venom and the main villain Riot looked unrealistic. While I understand these are hard characters to make right with CGI, but the technology is there to make realistic looking characters. I could not unsee a CGI character instead of having some suspension of disbelief to see a real life creature. Other moments in the film sometimes look like the team needed some more time to touch up some of the special effects.

Ruben Fleischer’s Venom has a great movie inside somewhere but has some quite terrible writing and pacing issues along with bad CGI. Jeff Pinker and Scott Rosenberg might not have been right for the job or maybe needed some extra time. Some of these issues will never be known since the film shot vs. the film delivered are entirely different. Who knows how much better the anti-hero movie would have been with an R rating? I know the action would benefit, but the story and characters? That will remain a mystery. The best way to describe Venom is that it feels like an early 2000s superhero movie by its messy tone, bad special effects, and an overall entertaining film that is not remotely good.

Score: 5/10

Image via Sony Pictures

 

Movie Review: Blood Fest

If you follow the internet juggernaut Rooster Teeth, then you know they are on a roll lately with high-quality big productions. These productions can be exclusive shows for their paid members (First members) or their movies. Last night was a one night only event to see their third film, Blood Fest. This horror comedy reaches for a broader audience while still having the Rooster Teeth spirit and nods to their community to make it perfect for their fans. Unlike their first endeavors in filmmaking with Lazer Team 1 & 2, we get something for people who don’t know about the company to go for a more mainstream audience. If you love movies like Cabin in the Woods, then this is the perfect film for you.

Horror fans gather around to a festival called Blood Fest, an event meant to celebrate everything horror in the movie world. People come to celebrate horror classics from the 50s to obscure modern gems. A group of friends: Dax (Robbie Kay), Sam (Seychelle Gabriel), Krill (Jacob Batalon), Ashley (Barbara Dunkelman), and her director Lenjamin (Nick Rutherford) all attend this festival. Right, when the show kicks off, we see the showman running the whole festival, Anthony Walsh (Owen Egerton) who reveals he master plan to everyone. People think he is joking and playing along with the themes of the festival until people start getting murdered. He unleashes everything imaginable to create a real-life horror film with zombies, killers, vampires, and more. The protagonists must go through this massive forest that the festival is held on to escape while running into everything they have seen in the movies. If you have the knowledge of horror movies, you might survive.

The film balances horror and comedy pretty well for the most part. The horror looks creepy with some excellent makeup and costume design along with its props and sets. Everything looks perfect for an eerie atmosphere. The actual scares don’t come in since it is just a few jumps scares, and nothing all that different. The comedy is a hit or a miss but delivers a typical style that fans of Rooster Teeth know and love. Like I said if you love Cabin in the Woods with that type of horror and comedy mixed, then this is for you. I am someone who adores Cabin, so it was a perfect fit to see the company make something in that same style. The film takes every trope in the book and flips them on their head. You get a wide range of inspirations from SawEvil DeadTexas Chainsaw Massacre, and so much more which will make the biggest horror aficionado happy.

The cast is all outstanding with some loveable protagonists and a villain that you love to hate. While each actor and actress do an excellent job, especially Robbie Kay for doing a solid American accent, the most impressive might be Barbara Dunkelman. She is a popular on-screen personality as Rooster Teeth and manages to be believable even in the most dramatic scenes. The one who steals the whole movie is our antagonist, Anthony Walsh played by Owen Egerton, the director of the film. He is charismatic and the funniest character in the film. Outside of his acting, he directed the movie well and delivered a clear vision for what he wanted.

While the film stands strong overall, especially compared to the company’s two first films, I had a few issues. At times the film would go for comedy so far that it would break my suspension of disbelief such as characters acting in certain ways for the sake of humor rather than having something feel more natural. The horror aspect feels more of a theme rather than the actual genre. Whether something is scary or not is subjective, but I wish it took a strong stance at being scary. Hopefully, this means we can get a straight-up horror flick from Rooster Teeth.

Blood Fest is perfect for a select audience who love horror and cheesy comedies. If you love Evil Dead and Cabin in the Woods then this is for you or else you will hate this movie. As it is not for everyone, it is enjoyable for those who love this subgenre of horror. With an outstanding cast, plenty of surprises, and a lot of cameos for Rooster Teeth fans to get that a broader audience won’t, this is something for the general public and the biggest fans of the internet giant. While not a perfect movie, there is a lot of heart which you don’t get in every horror or comedy movie that gets thrown out into theaters.

Score: 8/10

Image via Rooster Teeth