Video Game Review: Marvel’s Spider-Man

Readers, if you have followed me for a while then maybe you read my most anticipated games for this year then you would know Marvel’s Spider-Man was my number one. I had wanted a game like this since Spider-Man 2 back in 2004. Now we have the open world Spidey adventure, and it meets the hype level in every way.

Peter Parker/Spider-Man is quite experienced at this point. He has been the web-slinging hero since 2010, a whole eight years. The journey starts off by defeating Wilson Fisk aka Kingpin, his longtime rival that has taken some time to put behind bars. Now that Kingpin is no longer running the streets; a new threat emerges that are not just the typical gangsters, they are terrorists. Spider-Man goes forward with the help of Yuri Watanabe who works in the police department, his ex-girlfriend M.J., and Miles Morales to discover this new threat. The story is charming, funny, heartfelt, compelling, and feels like something straight out of an MCU movie.


In this story, you will face seeing some of the most iconic and obscure characters in Peter’s world. His beloved Aunt May is working at a homeless shelter, M.J. making it big time in at the Daily Bugle, and J. Jonah Jameson has his radio show all have a role in Peter’s life in some way. It is not just people supporting Peter/Spider-Man, except for Jameson, but Peter has plenty of villains to face. His most iconic baddies are here from Kingpin, Rhino, Electro, and many more. There are plenty of more obscure characters that casual fans won’t recognize, but the game does a beautiful job of introducing such as Mister Negative. Confusion about a character can happen especially with more obscure characters; you can go into bios of anyone on the menu to give background on everyone in the game. Each character is well developed with some great arcs. The writing has a lot of heart and a wide variety of tones that are well executed. A few jokes fall flat, but most put a smile on my face or more rarely get me to actually laugh.


Out of any game made about the beloved web-swinger, I have never seen a story like this. Insomniac takes the heart and soul of both Peter and his superhero life, unlike any other video game. Spider-Man feels like an MCU movie that was teamed up with Insomniac by their mix of humor, drama, epic action, and even the soundtrack. Yes, they also have an after credit scene.

Insomniac is known for fluid combat, movement, and a wide variety of fun weapons and gadgets to utilize on the journey. This reputation from their Ratchet and Clank series and Xbox exclusive Sunset Overdrive is visible in Marvel’s Spider-Man. The combat is similar to many action games such as the Batman Arkham series. Basic combos, use of gadgets, similar parrying and dodging mechanics make it feel like an Arkham game with so much more. The fighting and movement are unlike anything that I have played since Sunset Overdrive. Spidey can scan around to see nearby enemies or interactable objects to use as a weapon. Action and traversing build up focus which is used to heal or finish enemies with one hit. Beating on bad guys is full of variety and lets you be as creative in how you tackle threats from the use of gizmos to stealth. Whichever way you tackle gangsters, terrorists, or supervillains, it always feels perfect.

The most significant aspect besides beating down criminals is moving around this giant open world. Web-swinging feels organic enough for me to feel like I am Spider-Man who has been active for eight years. The difficulty comes in slightly for people who want to go faster or be more precise with how they traverse around Manhattan. Traversal is a beautiful mix of ease and some talent for players with different levels of skill.

The gameplay is continually evolving by adding new mechanics in or building upon older ones. Various mini-games such as hacking or finding out about new chemicals are easy enough to do but hard enough to let you think for a few minutes. Every research activity done helps capture Peter’s brilliant mind in the world of science and technology, unlike any other game we have seen with his character.

The open world is full of typical activities such as side missions, randomly occurring crimes, collectibles, challenges, enemy bases, and towers that will unlock the map. While these activities are in every other open world such as the towers to unlock the map are similar to Far Cry, and the collectibles are in every game imaginable, we get something more rewarding. Every challenge, minigame, collectible, base, and crime give you tokens. Redeeming tokens for upgrades, new suits, suit modifications, and more to make Spider-Man stronger. Each activity provides a specific token. If a new suit requires X amount of challenges, crime, and research tokens, then you must complete challenges, crimes, and research minigames to unlock that costume. Collectibles in the game are fun to collect and are rewarding by giving some background on the world along with their tokens. The backpacks specifically are some of my favorite collectibles in any game since you see an item in that backpack that Peter will give some commentary on what you have found. You see some fantastic easter eggs from other Marvel characters or explanations about what has happened in the last eight years during Peter’s time as a superhero.


The customization is light but satisfying. At any point, you can switch out which costume to wear along with its upgrades. Almost every suit comes with an ability that will enhance you for a limited time during battle or perform a super move to eliminate nearby enemies. With the swapping of skills in and out leaves for anyone to use their favorite costumes along with their preferred abilities. Each outfit is fantastic and got me excited to see what the next costume will be once unlocked. Fan favorite costumes such as his classic suit, Stark suit from Homecoming, and Iron Spider suit from Infinity War are present along with some that are more obscure. Some of the most unusual costumes are the Spider 2099 and Noir suit. I enjoyed every outfit that I would wear one for a while then switch to another. I felt almost overwhelmed with how many I could choose from in the best way possible.


Everything you do gives you experience points, like just about most other games. You have three skill trees: innovator, defender, and web-slinger. Each will provide you with new abilities to fight, move around the city, or give you a bonus of strength or health. The leveling up system is fun and easy with all of the basics you will find anywhere else.

Manhattan is a massive part of New York you will be able to swing around in and fight crime while feeling like a real city that is being impacted by unnatural people. Instead of hopping from rooftop to rooftop, you can just walk the streets. Civilians will react in a variety of ways. Some may want a high five or to say hello. Others might be hateful towards Spider-Man. Everyone has a different opinion which helps flesh out the world. As you progress in the game, the world changes organically. Due to Spidey and his villains causing issues throughout the city, Jameson’s radio show will pop up briefly in crucial moments in the story that will provide a hilarious insight to how the city is being impacted. His banter about how Spider-Man is the cause of every issue is funny throughout the game but makes for a believable world that has this web-slinging hero as its protector. Later in the story, enemies will be more robust as they gather better weapons and introduce new enemy types. Enemy types and which faction they belong to will determine your strategy. All the way till the final act in the game new mechanics and enemies will demonstrate how the city is affected by the actions of the superbeings within it. The lively city that changes make for one of the most enjoyable open world games that I have played in years.

The game has a unique style to its graphics and animations. Insomniac has blended a realistic approach with a comic book style. Colors pop just like comics or any superhero movie in the MCU would. Details such as facial animations are wonderfully done for the game to have a look of realism. Animations are continually entertaining by how many variations there are. Spider-Man will do a variety of moves as he swings around the city depending on the objects he is maneuvering on. During combat, his movement is changing throughout the fight depending on how he is jumping or what objects he is using to his advantage. New York is filled with enough grit for a realistic look, while still maintaining enough color for a vibrant and interesting looking game.

Photo mode is something no game can go without anymore, especially with how beautiful games can look with the advancement of technology. All the essential functions are available such as filters, frames, emotes, and camera angles. One angle that can be used is a selfie mode, who doesn’t take a good selfie when they can? Those of you who are talented with photo modes then this will be game you cannot pass up.

The issues I have are few and quite small. Dialog repeats way too often. Spidey will have a quip after defeating criminals or as he arrives but tends to replay the same joke every time. If he is at a base, then he will have a set joke for that, or if he is doing a stealth challenge, then there is the witty remark for that situation. Hearing the same wisecracking can be annoying after playing the same missions over and over. The dialog can be easily interrupted, some of which I missed was important, but mostly it was Jameson going on about Spider-Man. If you miss an episode of Jameson, you can go to the menu and listen to it, which is no big deal. Loosing on meaningful dialog during a story mission is more difficult than missing out on Jameson’s banter. Progressing through a mission before a character finishes speaking will go on to a new set of dialog. While the boss battles are fun, sometimes it felt anti-climatic at times. The final critique is that many of the activities are a bit repetitive. What makes this a small criticism to me is the satisfyingly fun gameplay along with how the game progresses allows for new enemy types to change things up. The changes that Manhattan goes through makes the repetitive side activities much more bearable along with the rewards that come after completion.

Superhero games are mostly underwhelming with some that are beloved. Marvel’s Spider-Man will join the cherished crowd of masked heroes whose games have been successful. The game is has a beautiful aesthetic, brilliant voice acting and writing to make for an incredibly Spider-Man/Peter Parker story, fluid gameplay, and immersive open world. The game is smooth as can be with its fantastic traversal and gratifying combat. For the most part, the game leans on an easier difficulty. Puzzles might take a minute to think but are apparent for the most part. Missions as M.J. are stealth missions that require not a ton of skill. The combat is accessible especially with the move list in the menu to help you. I played on medium difficulty and felt it was too easy for the most part. If you want a challenge, then play on medium or hard difficulty. Fans of the web-slinger must play this game. Not only do we have the best game we have seen with the iconic hero, but this is the best superhero game of all time. With its slight flaws, it manages to pick itself up as you progress through its charming story. The game is full of unoriginal ideas with its side activities and certain gameplay elements but manages to refine those aspects into something fresh and enjoyable. Anyone looking for a more heartfelt game with more satisfying gameplay will have a tough time because it is going to be hard to beat Insomniac’s masterpiece.

Score: 9/10

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Video Game Review: Detroit: Become Human

PlayStation has been the king of this generation when it comes to their single player exclusives. Just the other month we had God of War, and now we have the new game from Quantic Dream, Detroit: Become Human. The story of androids taking over the world and our advances in AI technology being our downfall has been told so many times. Now we see a different take on the story that we all know to some degree.

The story follows three protagonists: Kara, an android with a single father and his daughter, Markus who serves an old painter to take care of him in his old age, and Connor who helps the police with investigations and other police matters. Each scene of the game will follow one character then the next will switch to the next, and so on. Each character has their own story, but to no surprise, they all connect at some point. Kara tries taking care of Alice, the daughter, to protect her from the abusive father. Markus gets set on a path to lead a revolution to set the androids free from the humans. Connor investigates deviants, the androids who go rogue and go on the path of becoming sentient. That theme of androids wanting to be free and alive is heavily involved and explored with each character.

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Just like other games from Quantic Dream such as Heavy Rain, the game is all about the choices a player makes. The game is an interactive story that has many branching paths. Unlike their other games, this has the most amount of scenarios that can play it. After a scene before leading to the next character, a flowchart that shows all of the branching paths appears. You see what you did and see blank spaces as to where you could have gone. Statistics come up to show what percent of people chose that action. That mechanic is impressive, especially when you think your choice was the majority. I had some moments like that but turned out I was in an 8% minority. You will receive points for the paths which can unlock videos, wallpaper, and other awards to unlock that don’t do a lot but are interesting for people who like those types of prizes. The pacing of the game starts off inconsistent. Some of the stories are exciting right away, but some can be mundane and boring. Markus, in particular, has a great story later on, but starting off things are slow.

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The gameplay can be chosen at a simple level or to go for a more complex experience. The controls will become more elaborate if choosing the more complex difficulty. Just like other Quantic Dream games, the gameplay is centered around QTEs, motion controls, and interacting with the environment. The QTEs are forgivable for the most part since this style lends itself to having a lot of QTEs such as Telltale Games.  However, the controls might not be that responsive at times. Especially for the motion controls. I will always stand that motion controls are the worst idea to have in any game because it never works all that well. I wish the game gave an option to turn motion controls off because it makes for some difficult situations. Some icons to give instructions on how to perform an action are unclear. Using the trackpad on the PS4 controller in some unusual ways leads to some confusing moments. Those are only a few times in the game, but it is worth mentioning. Holding R2 allows you to view the area to see objectives and items to interact with. This is how you will engage with the world, if you are lost to see where to go, and will help gain new options for actions and dialog. Many games similar to Detroit have many items to interact with the world. Most of the time items are worthless and waste your time. Almost everything that can be interacted with has a purpose to the story. Everything you do for the most part moves you forward. The game features dialog choices that will determine how people feel about you and what actions you will take.

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The graphics are stunningly beautiful. The game is full of detail that needs to be given attention. The detail lends itself to the narrative to build the story and characters. A significant portion of the story takes place in rainy weather which offers a particular look to most scenes. The sheen of the water and the lighting makes some pretty moments. We are in an age where we are getting beautiful games nonstop with their own art directions.

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The issues with Detroit comes from all of the other games by Quantic Dream. Their games consistently have issues with controls and the story. Like I said, the motion controls and QTEs sometimes are not responsive that well. That can be damaging to a story that forces the player into a situation that is needed for quick reactions. Another critique is the story. The story and characters are all well written and acted. Especially the acting is quite superb. However, there are a few moments in the narrative that create gaps in the logic of the story. These are only a few moments, but it still hurts immersion and the overall narrative being told. I find it hard to take the game too seriously, even though the story is quite compelling and emotional for the most part. A game that is this story drive and interactive need those points to be almost perfect. The length is left to be desired with the time being around ten hours. The many branching paths can bring a player back for dozens of playthroughs, but the early game is hard to get through regarding the pacing. The issues are not too severe but are quite noticeable.

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Detroit: Become Human is a good game for some people. If you have not liked games like Heavy Rain or any game from Telltale Games, then this is not for you. The story is quite short for only about ten hours, especially for a $60 game. The many playthroughs and options do give replayability, but it is something to keep in mind. The spin on androids rebelling against humans is quite well done. The narrative is enjoyable, and the different options that can happen are amazing. This is one of those games that you will really enjoy or absolutely hate. Detroit is one of the weaker PS4 exclusives in comparison to what we have seen already, but it is still a strong title. Quantic Dream has a particular style, and with Detroit, that style has been refined wonderfully. Seeing a company’s progress as developers is a great thing to see, so expect more games to turn out even better in the future.

Score: 7/10

Images via Quantic Dream and screenshotted on a regular PS4

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Video Game Review: God of War

God of War has taken over the PlayStation community by storm. At first, I was skeptical. I have never played any of the previous games, so I have zero experience and expectations. I am blown away by how phenomenal this game is. I am saying it now that this might be game of the year. The massive amount of hype is not just hype; it is the truth.

The story takes place with Kratos in a new world. He has left Sparta to find peace with his life by starting a family. The new world takes place in the Norse mythology which is awesome. I love the new setting. The game takes place with the cremation of Kratos’ wife and Atreus’ mother. Her last wish was for her husband and son to take her ashes to the tallest mountain in the area. On this journey, Kratos must teach his son to survive, battle a variety of enemies, become a better father, and tackle his troubled past. The trip is mostly centered around Kratos and his son as their relationship develops.

The game has several supporting characters and antagonists who will either help or try to stop Kratos and Atreus on their adventure. Each character is fully developed and has a unique personality. Nothing in this game is gone to waste, especially the characters. Everyone feels like they belong and are real. The development of everyone is organic and comes to life naturally. On the adventure, Kratos and Atreus will change as individuals and within their relationship. The dialog is excellently written with fantastic voice acting that is on a whole new level unlike almost any game out there. Pacing for this type of development of characters needs to be done right. The pacing is flawlessly done to make for a compelling story with great characters. I always heard people had mix feelings about Kratos, but he manages to be more fleshed out to be more sympathetic and complex. This well-established series has managed to take their iconic protagonist and give him a new identity that works perfectly.

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The combat is some of the best I have played in years. Satisfying combos and move sets that will not get old even 40 or more hours played. The game has an organic way that introduces new mechanics, mainly to combat.  Throwing your ax and catching it feels phenomenal every time. When enemies are stunned, you can do brutal takedowns such as ripping enemies in half or slamming them into the ground. Each enemy type has a unique takedown that Kratos can do, but I wish there were more variety to this. Seeing the game takedown can get a little dull. Atreus helps during combat. He acts on his own, but you can command him to make certain moves too. As the game progresses, he becomes more reliable. Atreaus’ power grows, and his skills increase. He gets stronger by upgrades and new armor, but naturally, as a character, he grows too. It makes for a unique way to develop a character by making them naturally gaining skills while having typical upgrades makes for something I have not seen before in a game. Games such as The Last of Us and Bioshock: Infinite have an AI partner, but never on this level of helpfulness. When fighting, enemies are all unique with different strengths and weaknesses. You must adopt different strategies depending on the enemy. The difficulty is perfect. I played on normal difficulty. Moments were incredibly hard, but others were easy. Playing on the harder difficulties will give players a worthy challenge to their skills.

Like any game, certain tropes are there. However, every trope found here is flipped on its head to make for a unique experience. The game introduces there dwarves characters who are the game’s shopkeepers. This way feels organic within the world that I did not think of this being a typical interaction. These characters you can have conversations with and be given side missions. So much is done to provide the most realistic experience to make this world as immersive as possible.

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Enemies give experience, money, and other resources. All of this can be found in chests or by selling items to the shopkeepers. Currency and resources are used to buy upgrades, new gear, enchantments, and runes. Runes and enchantments are additional upgrades for armor and weapons. Everything has unique stats with pros and cons depending on what type of character you want to build. Side missions are limited, but fleshed out to be fun and have a purpose. Side missions will also give you plenty of rewards that make your time worth it. Exploring for equipment and resources is very rewarding. Collectibles and other items in the area can provide additional lore and other information. Atreus writes in the journal that can give extra information. Reading his descriptions of enemies or the history of the world feels like he wrote it.

The game centers around fighting enemies and puzzles. The puzzles are a variety of difficulty. Nothing is too hard, but it will take time. Once you solve it, then you get that aha moment for completing the puzzle. The variety of puzzles build off of what you have learned previously. Gaining specific key equipment items from the main story will unlock ways to solve other side puzzles. You can not do everything in the game until late game or until completing the main story.

Leveling up is quite simple. Earning experience for missions and combat is like any other game. Skill trees for Atreus and Kratos are small but useful. Every skill makes you feel stronger than before. I think many games give me useless skills, but everything here I can use if I want. Various new combat moves along with traditional upgrades such as making weapons stronger are some of the skills within the tree. A simple and effective mechanic that gives more power with no filler.

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The hub world is on a giant lake that has many areas to explore. The game is not open world but manages a balance between linear and open. Along with this extensive area are a variety of realms to explore. These are much more linear with some split paths that allow for exploration. Not a single inch of this game is filler. Everything is utilized correctly for some practical reason to both gameplay, main story, or giving some additional background to make the world seem more realistic. Everything is beautiful. Seriously, this might be the best looking console game ever made. The colors are vibrant with an emphasis on its blues. Everything pops and has an incredible amount of detail. The level of detail to every aspect of the game is the key as to why this game is so phenomenal.

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Besides a change is combat style, the new RPG elements, and various other changes to this entry in the series, but the camera is different too. The game has a cinematic focus with everything being one shot. There are little to no loading screens to keep you at the moment. Seamless transitions from cut scenes to gameplay make for an immersive experience. I have been confused when I am playing or watching a cutscene, and I loved that.

So, are there any issues in the game? I have tried so hard to come up with some criticism. A few moments in which the frame rate dropped, but that happened maybe two or three times. A few moments of Atreus running into a wall, but other than that the AI is stable and consistent.

God of War is a masterpiece. Before this game, the only game to have a story that pulled at my heartstrings was The Last of Us. The development of the characters, the detailed world, the excellent gameplay, and the incredible writing delivers one of the most innovative and compelling video games of all time. If you own a PS4, then you must play this game. If you have never played the series, then you must. Players with zero experience like myself will not be lost in the story. Some connection the old game is there, but not enough to make newcomers lost. Hardcore fans who are willing to accept that the game has taken a new turn should enjoy themselves as much. It is a disservice not to play this masterpiece of a game.


Images via Santa Monic Studios and in-game shots

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Video Game Review: Far Cry 5

After people started to get tired of the formulaic feel that Far Cry started to deliver, Ubisoft announced they would skip 2017 to give the next title some extra time. Did that pay off to achieve the ultimate game in the series? Does it rival with the masterpiece that is Far Cry 3? Well, yes and no. I do love this game; I will say that right now. Ubisoft cleaned, polished, and refined this latest entry to be quite pristine.

The story takes place in Hope County, Montana. The first time the series has gone into the U.S.A. and your character go in with the sheriff and a U.S. Marshall to stop a religious cult called Eden’s Gate who have taken over the entire county. Your team meets up with Joseph Seed, also known as The Father, who has a warrant for his arrest. During this procedure, his crazed followers attack. The cultist captures your colleagues, and you must escape. It is up to you to go out with other people to form a resistance, save your colleagues and stop Joseph and his family.

Far Cry is always known for their characters, especially the antagonist. To start off, let’s look at people who are allies along with who the player is controlling. Well, the main protagonist is silent which gives no depth to who you are. I hated this aspect because I felt like a bystander rather than a hero. The character has grunts, catching their breath, and other sounds. So, why not let that person have an actual voice? I have no idea, and it took me out of certain moments of the story. Your main allies such as Sheriff Whitehorse, Nick Rye, Hurk, Deputy Hudson, and many others are mostly likable. Seriously, there are a ton of main and side characters. Some are not as memorable, but most are enjoyable and even hilarious. One of my favorites being Hurk who was in other games. People are fleshed out, and well voice acted with mostly well-written dialog that can be interesting or funny.

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Regarding the antagonists, this is a bit inconsistent. Joseph is the leader, who is phenomenal. I wish there were more time with him, but enough time was given to give his character more depth. He was captivating, insane, and had a complicated moral compass. Joseph may not be as good as Vaas from the third game, but he is the closest they have gotten. His brother John is right next to Joseph on being a great villain. He uses more intimidation tactics against the resistance but sticks to his religious beliefs as much as Joseph. He is one of the most crazed and brutal people to ever come across in this series. Faith and Jacob are less interest. Jacob has a military background and is more focused on the political issues of the world rather than anything to do with his religion. He still is religious like the rest of his family, but his focus is slightly different. I felt like he was a lot less exciting and his missions- that I will discuss later- were repetitive and overall dull. Finally, we have the worst of the bunch which is Faith. After being adopted by Joseph’s sadistic cult and is more focused on drugs. Yes, another Far Cry game with drug-induced moments, it sucks. Her whole story has a focus on this, and her missions are all about illusions from the bliss, the drug in the game that takes significant attention throughout the game. Everyone has an exciting and compelling backstory, but the times spent with them rocks back and forth from being fascinating to flat out annoying.

The tasks at hand to defeat the cult are quite intricate in comparison to previous games. Once you finish the introduction, then there is freedom to go anywhere. The map is sectioned off into three major areas. A different leader controls each section. Defeat Jacob, Faith, and John to do one final mission to take down Joseph. The activities to build up the resistance can come from destroying cultist property, outposts -a staple in the series-, helping the local people, and a lot more. There is no force to complete everything. As a player, you get to decide what you like best and run with it, besides some mandatory story missions. Each area has three major points to gain enough resistance to have a meeting with that area’s leader. You get captured, which can be quite annoying because it forces you in some awkward moments to do a mission. These usually are not that fun, but the information on the characters tends to be worthwhile. After enough resistance points and meetings with the leader then the boss fight can be initiated. The boss fights can be lackluster. Each one can be too easy or too annoying. Most of the battles are heavily involving a drug-induced situation that took me out of the moment. I had that issue with the entire story as a whole anyways.

The endings are between a simple choice at the end. Ending one through my off by how crazy things got, but as I digested it, I like the ending overall despite some issues. To not give anything away, you will not see any of those events coming. You will either love it or hate it. The other is quite lackluster but makes some sense. Sadly, it makes you feel like your adventure was a bit of a waste. Overall, I wish both endings were different because they were not that strong.

The world is packed with animals, activities, animals to hunt, and a lot to explore. Exploring in this game is not only the most rewarding feeling from a Far Cry game but one of the most rewarding games I have played in a long time. Exploring is so much fun. There are no more towers to climb that will unlock everything for you. The exploration system is organic by talking to people, looking at road signs, walking around, and reading notes rather than using towers to discover the surrounding area. Going around to find items that will benefit you is quite satisfying. Live events are constant, but from what I can tell it is mostly challenges that give you a cosmetic reward. Nothing that special, but a nice addition that is new to the series. Shops to buy vehicles, guns, clothes, and other items are all around. Buying is the primary focus since there are not many items to craft. Crafting is minimal and not as important. Bigger bags and other types of equipment are perks or things to buy. Money consists of regular cash you gain by selling or finding then there are silver bars that are in every outpost. Silver bars are microtransaction too, but money is almost entirely useless. Money is easy to gain, and there will not be a lot that will be needed to purchase from other characters.

Having people back you up is a huge mechanic in the game. Side characters such as Hurk or Nick Rye can provide support on the ground or in the air. Animals such as a dog named Boomer or a bear named Cheeseburger can come to your aid too. The animals are my personal favorite because who doesn’t want a bear named Cheeseburger to help them? Civilians that you save will also join you to fight off the cult. Everyone who comes to help has special perks and weapons that help your decision on how you want to tackle a situation. For stealth utilizing the cougar, Peaches would be wise or be bold by getting Nick Rye to use his plane to bomb out an area. One thing to note is the AI is not great. Animals tend to be perfect, or close to, but enemies and friendly humans can be pretty moronic at times. At times they can be because enemies can go down then their friends can go help them out. I have seen the AI have its great moments, but some painfully stupid moments too.

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Gameplay is better than ever. Combat and vehicles all feel great. Melee combat is a bit too simple, but nothing beats going around with a shovel to hit these cultists to death. I have always loved driving in the series, and it is still an absolute joy to drive around Montana. Completing challenges or finding specialized magazines give you points to use for perks. The perk trees are expansive and useful. Nothing about it is too hard or too easy. I found the progression to be at a great pace that is not too slow or fast. The ultimate way to play the game is with a friend. Cooperative play is for the entire game, even story missions. I have had some extraordinary moments with my friends that truly changes everything about this game. There is a distance restriction, but it is a reasonable distance that rarely is an issue. Customization is another new gameplay feature from attachments for weapons, paint jobs for vehicles, and how your character looks and dresses. For the first time, you get the choice between playing as a male or female. This would matter only if the customization were not so painfully limited and for your character to be a silent protagonist. Guns have a few skins and attachments. Vehicles are pointless to even look at because of the uninteresting skins. The most prominent disappointment is how lousy customization is in this game, just flat out lazy and slapped on to have an extra feature. The weapons all feel great, and there is an abundant amount of weapons, but a lot of them have similar stats. The lack of variety in weapon stats makes it less appealing to experiment with different guns.

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Graphically and sound wise, this game is stunning. Hearing explosions in the distance that echo throughout the valley to looking over the forest in a helicopter, everything is breathtaking. Nighttime or during the day, every inch of the map is beautifully crafted. I can see this game all day and be amazed. If you have a great monitor and sound system, then you will be in heaven. Along with almost no hud except for some occasional indicators, the graphics stand out even more so. I love how clean everything looks without a minimap and a bunch of other clutter on the screen.

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Lastly, the online in the arcade mode is something to be discussed. Arcade is full of maps that people have made and game modes to play.  Playing arcade can be done with a friend, with other players, or by solo. Some maps are poorly done, but if you have the time and skill to get good at the map editor, then it is worth it. The map editor is extensive and is well made. Personally, I play these games for the single player, but the developers did a good job with this addition.

To conclude, I do love this game for its fun cooperative gameplay, stunning graphics, refined and tight gameplay, its new exploration system that is rewarding, and the game’s hilarious and entertaining characters. Joseph is one of the best villains to the series in years. Sadly, there are some glaring issues. Customization feels like it was slapped on with little effort. For the story, the tone of everything felt off with going serious, to funny, to political commentary, and so much more. It felt that the writers were not entirely sure of what tone to set. At times it worked, but at other times it did not. The silent protagonist felt pointless and gave less significance as to the player’s position in the game. AI was inconsistent with moments of brilliance to moments of being almost brain dead. The top two qualities are the exploration and the coop. If you have a friend to play with and you either love or never played a Far Cry game, then you must buy this. If you never liked the series, it is still more the same than different. A refined experience with the core of it staying the same that will make die-hard fans happy.

Score: 8/10

Buy the game here:

Images from in game

Header image via Ubisoft

Video Game Review: A Way Out

Joseph Fares, the mind behind Brothers: A Tale of Two Sons, has released his new game under his studio Hazelight Studios. A Way Out was revealed at E3 and took the gaming community by storm. This innovative surprise seemed promising primarily because of the previous game that Joseph worked on.

A Way Out is a coop adventure game that tells a compelling story about two characters, Vincent and Leo. The entire game is coop online and offline, and the central game mechanic is that it is continuously split-screen. The story cuts back and forth between where the characters are in the present and a cutscene that takes place towards the final act of the game. Leo and Vincent bond over a common enemy, Harvey, and break out of prison to hunt him down.

The story and character development are reasonably quickly. This is a short game that has a run time of about five to eight hours. For me, it took about an hour and a half to escape the prison. Most of the game focuses on the adventure to find Harvey. The adventure between these characters is unique and enjoyable but can be predictable at moments. Both Leo and Vincent are well written and acted, same with the side characters they meet on their way through this adventure. Despite the game being short, it takes its time to focus on the characters. Leo and Vincent are some of the most memorable characters in a video game that I have played in a long time. Their dynamic feels organic, and the way their relationship develops is quite believable. The end is solid and satisfying with two different endings that can occur.

The split-screen mechanic seemed like a gimmick at first, but it works wonderfully. Instead of feeling gimmicky, it feels innovative and seamless. The screen is even for both players but will learn towards another character if their cut scene or actions are more important. On occasion, the screen will fill to make one player watch their friend depending on the importance of the moment. Each player gets their own objectives to complete independently and dependently in different situations. This dynamic is excellent and provides for an enjoyable cooperative experience, especially when playing with a close friend.


Gameplay has a wide variety. While on this adventure you will catch fish, drive cars, shoot enemies, sneak around, find ways to escape a situation, and so much more. There are a ton of mechanics that come into play throughout this short experience. However, not all of them work. Driving feels clunky, shooting feels flat, and many other activities feel like you are playing a rather old game. For the most part, the gameplay feels out of date. When it works, there is a lot of options to interact with people and objects. Games such as baseball and connect four are a joy to play with your friend. Interacting with characters gives you some dialog choices. Dialog options are meant to distract other characters, give you an idea about what options you have in a situation, or just to have a quick chat with one of the various characters you come across. Most of the dialog options are mundane but make the world around you feel more alive. Only a fraction of the chosen dialog is practical while most of it is useless information.


The main choices about actions to drive the story are lacking. I wish there were more power given to the player in a meaningful way. Only a few of these actions were memorable. I understand the game has a definitive story to tell, but some of the game feels too linear.

Once or twice the game would run poorly. Lag issues from either my end or my friend’s end can occur. So, it may be best to play locally or be sure both players have a good connection. Load screens are either incredibly short or painfully long. Some glitches occurred, but nothing too serious.

Overall, A Way Out is beautiful but has some somewhat inconsistent moments. At times I can stare at the landscape forever, but get distracted by some ugly textures. Plus animations are inconsistent too. I had moments of needing to break through a door, but my friend and I end up phasing through the door. Also, during a driving section, my friend drove through a car like it was a ghost.

Significant issues do plague A Way Out, but its short timing, innovative gameplay, excellently written, and a blast to play with a friend holds it up. The issues are relatively small, but those problems do stack up. I wish the gameplay was tighter and felt better for all or most situations throughout the game. Animations for characters and graphics are solid but can be inconsistent. That is A Way Out in a nutshell, innovative, but inconsistent. I highly recommend this game because of its $30 price point makes it not too much of an investment. Plus if a friend owns the game, you can play in its entirety. You have nothing to lose and will gain a great experience.

Score: 7/10

Images via Hazelight Studios and EA

A Way Out is out now and is available on Xbox One, PS4, and PC.

All money when purchasing goes to the devs, not a penny to EA. Buy the game here:




Video Game Review: Shadow of the Colossus Remake

I have to be honest when I say that I had never played Shadow of the Colossus when the game initially came out. Coming in as a newcomer was intimidating. The reason I felt this way was for a couple of reasons. I felt intimidated by how much I was told the controls and camera are difficult. Plus I was worried that I would not like this legendary game. I can happily say that I love it.

The game is remade from the ground up by Bluepoint Games. They are experienced in remasters with the Uncharted: The Nathan Drake Collection and the PS3 remaster of Shadow of the Colossus. So, this remake was in excellent hands.

The story in Shadow of the Colossus is quite simple. Most of the story is told in the beginning cutscene. After a few bosses, there might be a new scene to show some more story. Then you get another long cutscene at the end to give you the wrapup of the story.

Wander is the protagonist of this story with his trusty steed Agro. When they arrive at a large temple, Wander places a young girl on an altar in the main room on the first floor. Mysterious shadows appear with a voice speaking to Wander. The voice reveals himself to be Dormin. An ancient entity that is a pseudo-villain who strikes a deal with Wander because he sees that Wander is wielding the Ancient Sword that can be used for his benefit. He will revive this girl, only if Wander kills 16 colossi. Then that is where the game begins.

As a game, everything is relatively simple, but with some of its own complexity to it. For the most part, you are not told much. The game will say to you basic controls, but there is a lot it does not tell you. A big part is for the player to figure things out on their own. Gameplay is simple. You have a sword that can be used to attack and use a light to guide yourself to your targetted colossus. The other weapon that is available is a bow and arrow. This is mostly used for strategic purposes for individual bosses. Climbing is an essential aspect of the game. Climbing to get to specific areas and most importantly, to get on top of the colossi. To travel you use your horse, Agro. Each boss is a puzzle by finding out how to get on top of them. When you do get on top of them, then you have to stab a particular weak point that will have a shining symbol when you get near it. Stab a couple of marked points then the colossus will die. The puzzles of each colossus are not challenging but can be tricky. The game does ramp things up by giving you easy battles then increasing the difficulty as you progress.

Controls in the game have been enhanced for modern gaming. You can switch back to the old controls for nostalgia if you have played the original or want to know what it feels like as a newcomer. They are clunky. Bluepoint has remade the game from the ground up but maintained how the original was. UI and control layout is different along with enhanced graphics, but that is about it. The controls and camera can be awkward especially as gaming has changed so much in the years since the game initially came out. However, it was not a huge deal for the most part. Agro is challenging to control, sometimes harder depending on the area of the game you are in. Wander can be troubling, but you can get used to how the game controls. Depending on which boss battle you are on, the controls and camera can make things extra tricky. This was a pain during the final colossus because of the amount of climbing required.

Graphically, the game is absolutely stunning. I played on my PS4, and the game looked incredible. If you play on a PS4 Pro, then you get an extra option for graphics. There would be a cinematic selection that makes for FPS 30, but the game will look better. Personally, I would not choose that even if I could because framerate is so essential. The developers put in a lot of detail to enhance how gorgeous this game is. Each hair on the colossi moves so realistically. Walking through the various terrain is breathtaking. A photo mode with multiple filters and options to get the best camera shot possible is in the game too. This makes for some incredible screenshots to show how pretty this game really is. This is a stunning remake that you can look at for hours.


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With each colossus, there is such beautiful music that gets played. The soundtrack to this game is just as pretty as the graphics. The orchestral music fits so perfectly with every moment.

The game is incredibly short. I was able to beat the game in about seven hours. Since the game is a bit of a puzzle when it comes to trying to find out how to defeat each colossus and to find them can be tricky. Without these moments of being lost, I could have beaten the game closer to five hours. However, there are unlocks after beating the game. New Game + allows the player to play through the game with all your upgrades to health and stamina. A time attack mode is a time challenge mode to beat each colossus in a certain amount of time. You do unlock items with this mode that can be used in the other modes. Then there is a reminiscence mode is just a way to refight any of your favorite battles with the inclusion of a filter to change to the look of the game.

This game does live up to its legendary status even by today’s standards. The controls and camera angles can be awkward, especially to new players. Along with Agro who can be quite terrible a lot of the times too. If you are someone who loves a game with puzzles, epic boss battles, and do not mind a short game, then you should absolutely check it out. If you are a fan of the original, then this is the definitive edition of the game. Everything will play like you remember, but with updated graphics to give a different feeling to the world as you go around fighting your way through each colossus.

Score: 9/10

Images are in-game screenshots with photo mode on a PS4.

Buy the game here (this also support me and the website):

Video Game Review: Call of Duty WW2

Another year means another Call of Duty. Every year they sell 20+ million copies and is always successful. I have not been a fan since the release of Black Ops in 2010. The games were always far from perfect, but they became more dull, less creative, and got more ridiculous with the sci-fi evolution that the last few games have made. Now, they are back in their “roots” to be in World War 2. I put roots in quotes for a reason because going back is not entirely true. The theme is, yes, but a lot of aspects are different enough to make the game feel unique, but fails to do so. Don’t get me wrong, I really like this game, but falls short from greatness.

The story focuses towards the end of the war when America sends soldiers over to Europe. The game starts with the invasion of Normandy. You and your squad must push forward deep into Europe to fight off the Germans. You play as Ronald “Red” Daniels, a young Private in the United States Army. Daniels and his squad will team up with a French and United Kingdom resistance forces to achieve victory.

This short campaign has a lot of good qualities but falls short in many ways. Starting with the positives first to get them out of the way. Gameplay is full of different mechanics such as having a health bar for your character. You need to find health packs or get some from a teammate in order to heal. Your squad will have a few other support actions too besides giving health. Characters can spot enemies and give you extra ammunition when needed. The game feels more tactical and team-based with these mechanics. You can lean over cover to take a few shots while still remaining relatively safe. There are some missions that give some variety such as driving sections and stealth missions. The graphics in the game are pretty, but sometimes look a bit inconsistent. Still, it is the prettiest game yet in the series. The cut scenes look incredible and will stun players by the detail. These are all great ideas, but almost all fall short in some capacity.

Needing a health pack can be tricky since there is a cooldown on your teammate. Once the cooldown is complete, then he can give you a few more health packs. I was caught a few times with no health and no way to heal which left me getting killed multiple times. The variety of the missions is not enough and when it gives it to you, the mechanic will feel off in some way. Driving feels silly on how loose the steering is. The game is so linear that it makes it feel pointless to try to steer. You can hold the gas and scrape against the wall, but keep moving forward towards your objective. Stealth missions sometimes work well but feel off on how enemies can spot you. Overall, these sections are not that fun. You usually can just fight off everyone or follow a path in order to walk around all of the enemies. My favorite is a stealth mission in which you play as a spy for the French resistance. I wish there was more to that mission because it had a lot of potentials to go to a really cool direction. The game’s AI is painfully bad. They either miss every shot and are unable to notice you being in front of them or are magically able to kill you right away. Nothing has changed in terms of AI and game difficulty in this franchise at all.

Characters and story development are pretty weak. The story feels sometimes disconnected in its pacing. The overall tone is bizarre and unnatural. The game starts off as a serious take on World War 2 in a Saving Private Ryan style. Showing the brotherhood the men feel for one another and the brutality they must face. To demonstrate the horrors of the war, it is only done a few times, and most of the time it is hard to take it that seriously. There are moments of over the top action sequences that are cool but do not feel right for this story. I am not sure on what type of story the developers really wanted to tell. A heroic, compelling story about World War 2, or an over the top action story with the theme being World War 2.  When promoting the game, the developers prided on how accurate this experience will be, but none of what they said about this campaign is correct. The accuracy is pretty weak at times. More on the inaccurate side of the game when I get to the multiplayer. For the characters, they are all pretty bland. I feel like these characters have been made before in World War movies and games. The most rememberable character is Sergeant Pierson, who plays such a stereotypical character that I remember the same type of guy in Call of Duty 3. The chemistry between these men is inconsistent. There are times with great dialog that makes it feel they have a real connection. These moments are too far and few that make everyone feel unimportant. The story is fun but has a lot of issues. It is the first time since Call of Duty 4: Modern Warfare that I actually enjoyed playing the single player.

Now to the meat of the game, multiplayer. A lot of the cool mechanics that you see in the campaign are not in multiplayer at all. This is common for many games to do, but always disappoints me when I like something from the campaign that is not implemented into the online. It is the standard Call of Duty online as usual with some great new mechanics added. As with the single player, let us talk about the good parts of the online then get into the bad. There are a few divisions to select from that are your classes. You can use any weapon for any division, but the game leans you to use specific guns for particular divisions due to certain perks attached to them. They are all pretty standard, but let’s do a rundown of each one. Infantry is based on rifles, both semi-automatic and automatic. You get a bayonet to instantly kill enemies. This is my personal goto class to play. Airborne is focused on submachine guns in which they get a suppressor that you can attach or detach at any time with the press of a button. Armored is centered around with a heavy machine gun that has a bipod attached to it. Expeditionary uses a shotgun that can use incendiary rounds to light enemies on fire. Finally, the mountain class is the sniper class has an assist to focus on while sniping. This is the first in the franchise that I actually like using the sniper rifles. Some maps are a lot of fun to snipe on. Each class is fun and allows for more tactical gameplay, as tactical as a Call of Duty game will get at least. You can prestige a class to gain rewards. You don’t lose anything out of it. Prestiging a gun will reset all equipment on it, but you earn rewards. Prestiging your level, class or gun does not really give you much incentive, but for the players that like it then they will enjoy. The best aspect of multiplayer is one of the new game modes which is War. Mostly like the rush game mode from Battlefield, players on one team have objectives to complete while the other team tries to stop them. This can range from destroying machines, escort tanks, and reaching specific points. The other team will build walls, slow down tanks, and push back the enemy as much as possible until time runs out. There are no score streaks, which allow the player to accumulate enough points before dying to have a special attack with artillery, plane support, or other methods just like the other Call of Duty games. Sadly, there are only three maps, but this is a lot of fun overall. I wish the maps were bigger. The lack of players and the size of maps makes it feel less like a real war. Despite these issues, it is my favorite part of the entire game.

The negatives of the multiplayer for the most part are not too significant. Basic training replaces perks. Instead of taking multiple perks to give you specific advantages, you get one. I like this idea a lot, but most of these new perks are not that useful. I find myself getting nothing out of the ones that I played with. There is a hub world in which players can play minigames, interact with other players, take up challenges to gain rewards and more. This was an interesting idea that is boring. None of the games to play are really that fun. Just tacked on to give the players something to do. It is just a copy of what Destiny has. As someone who is not a fan of Destiny, I do not like this hub world idea at all. You can open loot boxes here to gain cosmetic rewards for your character and guns. There is no reward at all. You feel like you gain nothing interesting at all. The least they could do is give you cool costumes, but it is just like every other game that comes out right now. Another part of customization is swapping your character to make him a female or different ethnicity. That does not work if you are playing as Americans since women did not fight in World War 2. Also, how does it make sense to allow black soldiers on the Nazi side? I understand letting the player choose who they want to be and look like when playing but make some restrictions to allow some historical accuracy. The immersion is taken away on a lot of levels, but these small details pile on in a significant way if you want to make a good World War 2 game. A criticism this franchise always got is how unoriginal it is, and they excel big time with some of these decisions. Just following the herd to have game mechanics that every other AAA game has these days. The worst decision that could have worked is the second new game mode. Gridiron is painfully bad but could have been a great idea. There is a ball that players must score on the enemy goal. Just like the Halo game mode, GrifballWhat made this work for Halo is that there are no guns, only melee weapons. When people can call airstrikes and shoot you down, it becomes a chaotic, messy, and straight up annoyance of a game. Having more creative and less traditional game modes would be healthy for the game, but they fail to make it work.

The final piece of any Call of Duty game is the zombies game type. As usual, there is a story to it if you follow along with puzzles that are difficult, but rewarding. The horror aspects that Sledgehammer talked so much about are nonexistent. Sometimes zombies pop up at you and they look creepier, but that is it.They could have made something totally different but decided to just make another zombies game like all the others. Fighting waves of zombies or deciding to do the story related puzzles are your options. If you love this like me, then you will not have a problem at all. It is a lot of fun, especially with friends. You can now choose a class that will have special perks and abilities to give you an advantage. Selecting a few different starting weapons as you level up more give the player an upper hand during early waves when zombies are weak. Each class has a special ability such as going invisible and special attacks. A lot of promises went into the zombies this year that did not come true, but overall the game is a ton of fun.

Despite how much I want to like this game, there is no denying the plethora of problems. As of writing, I still have issues with crashing, glitches, server issues, and more technical problems. On top of that are poor decisions with multiplayer and yet another lackluster campaign. At least I was able to have fun with the campaign unlike every other game in the franchise, but it still fell flat in many ways. I do think people should buy Call of Duty WW2 if they love these games and can accept its flaws. Just know that there are a lot of problems on all levels, but it is insanely fun. War and zombies save this game. What kills the Call of Duty games is the fact that they can not be that creative at all. I hope they can branch out more and that this is a turning point for the Call of Duty juggernaut.

Score: 6/10

If you want the game, you can follow this link here:

Image via Activision and Sledgehammer Games